Wow, stunning layout blocking! I love the way Meskin uses a high angle, then a low angle, then a high angle to juxtapose shots on page 4 (the great film makers do this too!) Then the amazing panel on page 6 of the train, so clear and dynamic! Amazing stuff!
He was probably only looking for ways to simplify, using a cinamatic language that was still there at that time. Milton Caniff used the same tricks in Terry, before he 'calmed dien' in Steve Canyon.
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Wow, stunning layout blocking! I love the way Meskin uses a high angle, then a low angle, then a high angle to juxtapose shots on page 4 (the great film makers do this too!) Then the amazing panel on page 6 of the train, so clear and dynamic! Amazing stuff!
ReplyDeleteHe was probably only looking for ways to simplify, using a cinamatic language that was still there at that time. Milton Caniff used the same tricks in Terry, before he 'calmed dien' in Steve Canyon.
ReplyDelete