Monday, April 21, 2008

Old Bailey

My statement that the new Checker book may only reprint the first year of Beetle Bailey may be wrong. I looked up the announcement on their website and it reads: "From the very first Beetle Bailey strips on a college campus through Beetle's enlistment in the U.S. Army, this volume contains the first two years of Mort Walker's famous strips, encompassing September 1950 through June 1952. Enjoy two separate casts of quirky characters, the first based on Mort Walker's fraternity brothers at the University of Missouri and the second on his Korean era stint in the Army. These are the strips that won him the Ruben Award in 1953. Beetle Bailey went on to become the third most widely distributed comic strip of all time. Introduction with comments by Mort Walker himself! 200 pages, 10 3/8" x 8 3/8" landscape, hardcover. B/W & color illustrations throughout." The cover depicted there, is also different from the one on Amazon. This one looks a little bit better, so let's hope it is a later version rather than an earlier one.

The announcement itself is a step down from a previous press release: "Checker Book Publishing Group brings the latest collection of old comic strips to remind us that some of the stalest funnies of today actually used to be really good. The book will feature the Beetle Bailey daily and Sunday comic strips, syndicated by King Features, which were published between when the comic strip first appeared in September of 1950 and December 1952." Notice that in this case it is specified that the sundays are included (as they are on the cover of the Scandinavian version, which I noticed on second glance). The sample pages they show on their website (http://www.checkerbpg.com/books/bb1_01.php) include an introduction with color illustrations - but no sundays."

Anyway, here are some more randomly scanned Beetle Bailey sundays from the first two decades. Along with an early drawing for a fan by Mort Walker I found on e-bay.

A two-tier sample from june 22, 1958.


An almost perfect three tier sunday from nov. 6, 1964.


A bit more bland and definitively dated sample from june 5, 1965.


A late but still impressive sample from jan 23, 1968.

Sunday, April 20, 2008


Beetlemania

Last month Checker announced that they would be publishing The Complete Beetle Bailey. This great series is going to be edited by comic strip historian and Beetle expert Chris Walker, who also happens to be the son of it's creator. In the first volume, now available for pre-order from the Previews catalog and Amazon will cover the first two (!) years of this important gag strip. Beetle Bailey was one of the first 'new' gag strips that dominated the sixties and to which this blog is dedicated (for now). Together with Peanuts and Dennis the Menace it changed the landscape of American newspaper comics. Some say for the worst, but as I have stated earlier in this blog, the slow decent into nothingness didn't occur until the paper shortages in the early seventies cause newspapers and syndicates to start shrinking their strips, favoring gag strips over story strips and generaly accepting less instead of more. None of this is true for the great gag strips of the fifties and early sixties, as we can probably see from this collection.

I say probablyt, because I have seen very little of these first two years. From the rare reprint books that were done about this strip, I know of a couple of samples (and I will share some of them, as well as the cartoons they came from, with you in the next week). Beetle Bailey started life as a strip about college life and didn't get turned into an army strip until it's hero (Spider) was called in for duty at the start of the Korean war. I don't think he ever left training or America, but stayed here to frustrate his superiors and make us laugh for many years.

Like Hank Ketcham, Mort Walker had been selling cartoons for a living, before turning to newspaper strips to try and make a bit more. In his biography Mort Walker says that he became one of the biggest selling cartoonists in a short period after starting in 1948 at his college magazine. I will be showing some of those cartoons later on. They were the first of a whole wave of port-war cartoonists who developed a newspaper gag series, just like political cartooning was the way to get noticed in the nineties.

The Complete Beetle Bailey is based on a recent Scandinavian reprint series. Checker is a reletively young company, who have made a niche for themselves by (re)publishing classics from newspaper and regular comics. One of their most recent books was the relatively small B.C. book Growingold. There too, they had help from the family of the artist. But still, the way they represent this book for the American artist will be a test of their skills as publishers. Will they be able to get it into the shops and make it into the cash cow of their company the way the Peanuts Collection has become for Fantagraphics? I hope so, because I will certainly but this series until deep into the run.

Already I do see a couple of faults. From the publicity material I can't make out if this book is going to contain sunday pages or not. I hope it will, because the sunday pages often were where these cartoonists did their best work. I can understand why the Dennis the Menace reprint wouldn't have any sundays, because the panel format doesn't suit itself to the three tier format of the sundays. But the size of the Beetle Bailey reprint does accomadate sunday pages. To have them in between the dailies, where they stylisticly belong (as in the excellent Peanujt books) would be far better than to have them collected seperately. Although a seperate book would make a larger size a possibillity, which wouldn't be bad for the first 15 years of the strip.

Secondly, I am not very pleased with the changes they have made to the cover lay-out from the Scandinavian original. They have streamlined and modernized the look of the book (possibly to bring it in line with the BC book). I think it would have been far better to stick to the retro look of the original. This streamlined version looks more retro eighties than anything else.


Lastly, their decision to split the Scandinavian books in two, combined with the high price tag seems like the wrong strategy to me. Fantagraphics have proved that thick collectable editions (Peanuts) work better than small ones aimed just at the comic book market (Pogo). Book stores are not interested in flimsy books that will be destroyed by kids manhandling it. Furthermore, the Scandinavian edition (which can be seen at the start of this post) gives an accurate impression of the contents, showing both Beetle in his army outfit and an image from his college years. The image used for the cover of the Checker book probably is not from the year presented in the book. I am afraid all these decisions will make the book less desirable for the bookshops which would make it the hit it derserves to be. If you are going to do a complet reprint of the strip it should be a definite version. Still, I hope that everyone who is even the slightest intersted will buy this book to ensure the appearance of further parts. Otherwise I will have to learn Swedish or Finnish or whatever it is they speak up there...

In the next couple of weeks I am going to share a couple of cartoons and sunday strips from Mort Walker's early years. I will also try and see if I can provide a link to Amazon. I order from Previews myself, because postage on heavy books to Europe can be a bitch, but I believe there is a way I can do this, that give me a little kickback from Amazon with no cost to you, so why not? To start things off, here's my earliest Beetle sunday handy... a two tier version.

Saturday, April 19, 2008

December Mail

Tuesday Comic Strip Day.

As promised, the last of the december 1960 strips of Stan Lee and Dan deCarlo's Willie Lumpkin.



Wednesday, April 16, 2008

Bimbo Encore

What do you call the guy who announces all the acts in a circus? Well, he's another of the regular characters.

More to come in the next few weeks, as I have quite a lot of these. I also added another dog strip to the first post.



More Mailman

Here's another Bud Blake rarity. In the early fifties he did a lot of covers for the sunday feature section called Pictorial Review. This was a usually 16 page tabloid newspaper insert, which seems to have been packaged by King Features. At least, it has a lot of King Feature columns and specialty items. most of which are illustrated by King Feature staff artists. the earliest copies I have seen are from the thirties, but it may have been around even longer. It has a lot of beautiful stuff for cartoon collectors, although the regular line-up gets a bit predictable after a while. Among the special things that can be found in there, is a regular column about social life in ~Washington with weekly illustrations by Otto Soglow. This ran all through the forties and early fifties. Many cartoonists provided the covers for this entertainment section, but among the most interesting for cartoonists are those done by previous comic book artist (and designer of the cover of the first issue of Detective Comics) Greig Fleisel. There are many spellings of his name, so I just picked the first one I came across.

Blake's covers in the early sixties are lovely too, from what I have seen of them. Unfortunately, sections from this period come up for sale very rarely. But apparently, Blake also did some inside work, as can be seen by this streched-out one page gag from the March 13, 1955 issue.

Tuesday, April 15, 2008

December mail

In these strips we see Willie's yuppie friend Harvey (I wouldn't be surprised if he works in advertising) and the new regulars - Willie's boss the Postmaster and his new trainee. Immediately the strip comes alive.


Monday, April 14, 2008

Hi And Lois' Mailman

Tuesday Comic Strip Day.

One of the things that seemed to have kept Willie Lumpkin from becoming the success it should have been, is Stan Lee reliance on gags that were just centered around postman Willie. The rest of the town was just that... the rest of the town. There were old ladies and commuters going to work and kids and neighbours... but none of them got any room to develop their own character. There have been strips that take it slow in the first year, to give the audience a chance to get to know the main character. But Willie was depended on his interaction with his small home town - yet none of them stayed longer than one or two gags. It was only near the end of the year that a secondary cast began to emerge. There was a 'young professional' who talked to Willie about his married life. Maybe a bit to close to Hi and Lois in style and subject matter, but it went beyond the simple gag-a-day. Even better were Willie's manager and co-workers at the post office. Now here we started seeing some fresh ideas, such as Willie acting as a mentor to a younger postal worker. But I guess that by then the fate of the strip was already sealed. It was to little, too late. Over the next couple of days, I'll be posting the strips for December 1960 - the second to last month of it's 14 month run. You'll be seeing to good and the bad side of this strip...


Sunday, April 13, 2008

More P.T.

I wish there was more that I could say about P.T. Bimbo than the little I know in the previous post. I have never read an interview with Schneider about thos strip, which seems like a labour of love. The initials P.T. of the main character of course come from the famous American circus manager P.T. Barnum, about whom the internet has a whole lot of interesting and true and half true facts and quotes. I don't know if he was a litle guy, such as Scheiner's P.T., but I guess not. The sarcastic and angry little guy was a common feature in many strips... including the current Dutch psychiatrist newspaper strip character Sigmund, by long time Johnny Hart fan Peter de Wit. I will post about him and Sigmund later.

Here are a few more sundays featuring two of my favorite characters - the sweepers. In fact, I have the original art to the last one. Although the one before that is a better version of the same joke.




Saturday, April 12, 2008

Circus People

All in all the seventies were not an exciting time for newspaper strips. Papers were disappearing, paper was getting more expensive, newspaper strips were shrinking and downsizing and there was very little room for experimentation. Most people blame the gag-a-day strips for the downfall of the great American newspaper strip tradition. In their view it was those strips that pushed out the story-strips, thereby taking away the necessity for the reader to come back every day. Many of these new gag strips were drawn simpler as well, making it easier for the newspapers to put more and more of them on the same page.

I have never felt comfortable with that view, because there were so many great gag-a-day strips made in the late fifties and early sixties. Cartoonists who had been perfecting their skills in advertising agencies or the weeklies, were given a chance to use their graphic skills on the larger canvas of the newspaper strip. It is those often forgotten strips I intend to give my attention in this blog. The real crunch, I feel, came in the seventies, when things settled down and the winners were seperated from the losers and for a whole decade it seemed that nothing new was added, either in form or in actual strips. The only thing we got was spin-offs in the form of more strips from the assistants of succesful series. Some of them quite good, but graphicly not very exciting.

One of the 'spin-offs' I really like, is P.T. Bimbo, a strip about the sarcastic undersized manager of a group of circus performers. The artist was Howie Schneider, who already had a succesful strip with Eek & Meek. But while Eek and Meek was more about the gags than the characters, P.T. Bimbo had one of the most well-balanced casts of any strip I have ever seen. There was P.T. Bimbo himself, his much too human dog, the trapeze artists, the sad clown, the cleaners who wanted to be performers themselves, the living cannonball and many more, each with their own personality. For the sunday gags, Schneider often relied on very well drawn slapstick. This strip, in my opinion, is a cartoonist's dream - chockful of very wel designed cartoon action with a fresh sarcastic sensibility. very remeniscent of B.C. in fact, as was the style.





Friday, April 11, 2008

Tiger again...

After a busy week, I'll be able to post a little more this weekend.

Here's another early Tiger by Bud Blake.

Monday, April 07, 2008

The Bud System

Here are the last of my Bud Blake cartoons. I pulled them from Newspaperarchives, a site that lets you search and download from millions of American newspaper pages from microfiche. You do have to subscribe, so I am waiting for a reasonably workfree period to go back and get as many as possible. Not all newspapers are covered on that site, but it seems that all of Bud Blakes series are there, all eleven years of it. And they survive the microphoto process pretty well, unlike many other strips I have found there.




Saturday, April 05, 2008

More historical digging.

And two more pages of early B.C. strips.


Friday, April 04, 2008

Prehistoric B.C.

Like many newspaper strips, B.C. was never republished a lot beyond the paperback series of the late sixties. An Australian company did yearbooks, reprinting whole runs in glue-backed magazine sized collections. I have not got a lot of their B.C. reprints, most of what I have i The Wizard of Id, but I do have one reprinting strip with the two unnamed girls through the years. This starts with some very early strips, some even from the first weeks. I couldn't use them in my Stripschrift article because the printing is pretty bad, but their loss is the internet's gain.


Wednesday, April 02, 2008

Looking Out For The Mailman

The Succes of Willy Lumpkin

According to a press release from Publisher's Syndicate, when Willy Lumpkin was only three weeks old, he already was the world's busiest mailman... covering a route of more than 13.750.000, reached by 62 prominent newspapers in the U.S. and Canada. Willy Lumpkin's debute included radio and tv announcements, special circulars distributed by carrier boys and in-paper ads.

Among the papers carrying this strip were...

The New York Mirror
The Detroit News
The Cleveland Plain Dealer
The Washington Post
The Cincinnati Enquirer
The Columbus Dispatch
The Houston Post
The Dallas Morning News
The Oklahoma City Oklahoman
The Atlanta Consitution
The Salt Lake City Tribune
The LKouisville Courier Journal
The Norfolk Virginian Pilot
The St. Petersburg Times
The Tulsa World
The Hatford Courant
The Dayton Daily News
The Charlotte Observer
The Evansville Courier
The Hamilton Spectator
The Ottawa Journal
The Portland Press Herald
The Winnipeg Free Press
The Little Rock Gazette
The Tampa Times
The Jackson Clarion Ledger
The Lima Citizen
The Chicago Sun-Times
The Los Angeles Times
The Boston Globe
The Indianapolis Star
The Miami Herald
Yje Milwaukee Journal
The Toledo Blade
The Newark News
The Birmingham News
The San Antonio Express
The Toronto Telegram
The Nashville Banner
The Wichita Eagle
The Ft. Wayne Journal Gazette
The Montreal Star
The San Diego Union
The Portland Oregonian
The Tacoma News Tribune
The Syracuse Post Standard
The Honolulu Star Bulletin
The Tuscon Star
The Vancouver Province
The Montreal Le Petit Journal
The Eerie Times News
The Peoria Journal Star
and The Trow Record

Anyone living in any of these places who wants to have a look in the library to see if any of these survive on microfiche or bound volumes are more than welcome to do so. If you come across any mention of the strip, promotions, announcements, publicity stuff, comments in the letter section, please try to get a scan and contact me. I would love to track the development of the strip on this blog, in preparation of a full reprint of all 14 months. I don't think all papers would have stayed with it the whole run, because otherwise Stan and Dan would not have stopped the strip as soon as they did.

Tuesday, April 01, 2008

The Modern B.C.

In the recent Stripschrift issue mentioned below I mentioned that the B.C. strip has been taken over by Johnny Hart's grandson Mason Mastroianni. I have taken some samples of this strip from the Creator's Syndicate website to show how he is both continuing and reviving the humor of his grandfather. He is helped by a small team of writers including his cartoonist brother and his mother Patti Pommeroy. Patti graciously helped me getting the cover for Stripschrift done and sent me some great photo's of her father and her son and we talked about my interviewing Mason, which I hope to do in the near future. I think they are doing a great job of bringing new life to B.C. A lot of the silly and sarcastic humor of the earlier days has returned and Mason is not adhering to the style of Johnny Hart so slavishly that the thing has become lifeless, as so many continued strips. Rather than getting stuck in a style, they are continuing the heart and humor of the strip.

Here are some samples.





In the old strip, the sundays were often the place where Johnny Hart could show his flair for comic timing. It seems Mason has inherited that gene.



In the next sunday we see a line-up of Johnny Hart's strange beasts, including one that Mason has introduced himself. It appears that he stays closer to the classic look of the strip on the sundays, but the dinosaur is all his.



This sunday celebrates the 50th aniversary of the strip. I am not sure I like the new 'skirts', but fashions do change, even in pre-historic times,



The next sunday commemorates the death of Johnny Hart.



Finally, a classic gag on a current subject.

The Last of the Sinking Feelings

This is my last lot of Bud Blake cartoons, all from 1957. I will have to find something else for tomorrow.